Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней - Эрик Кандель
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76
Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.
77
Ibid., p. 250.
78
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.
79
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.
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Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.
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Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.
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Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.
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Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.
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Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.
85
Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.
86
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.
87
Ibid., p. 84.
88
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.
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Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.
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Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.
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Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.
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Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.
95
Ibid., p. 66.
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Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.
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Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.
98
Ibid., p. 102.
99
Ibid., p. 38.
100
Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.
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Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.
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Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.
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Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.
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Ibid., p. 76.
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Пер. П. Мелковой. – Прим. пер.
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Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.
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Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.
108
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. Pp. 429–430.
109
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
110
Ibid.
111
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.
112
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 33–34.
113
Ibid., p. 31.
114
Ibid., p. 60.
115
Ibid., p. 37.
116
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
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Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.
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Пер. В. Крючковой. – Прим. пер.
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Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 431.
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Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.
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Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.
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Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. P. 32.
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Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.
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Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. Pp. 50–51.
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Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 234–235.
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Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 11.
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Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960
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Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 5.
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Ibid., p. 24.
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Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
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Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 212.
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Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. Pз. 2–3.
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Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.
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Ibid., p. 95.
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Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, 1994. P. 155.
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Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.
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